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Frequently Asked Questions

Why an 18x36 instead of the usual 12x24?

Because it halves the joint count over the same area while keeping the same one-to-two proportion. It reads calmer than the 12x24 used elsewhere, and unlike the largest formats it does not demand a genuinely flat floor or a second pair of hands. It is about the largest format that still behaves like an ordinary tile.

Does a large tile need a flatter floor?

Yes, and it is the main practical limit on size. A long piece bridges a dip in the substrate where a short one sits over it, so one end lifts and the corner stands proud of its neighbor. The longer the format, the less tolerance there is underneath it.

Why is there no polished option?

Because a gloss works against what a large format is for. The point of a big tile is an uninterrupted plane; a reflective surface fills that plane with the room's windows and light fittings instead. Keeping the range matte lets the size do the work it was chosen for.

Is a blue tile at this size unusual?

It is. Blue arrives in glass and glazed ceramic almost exclusively in small formats, because those materials are made small. Porcelain is the only one that produces blue at three feet, so a blue floor or a blue shower wall in pieces this size is something very few ranges can offer at all.

Why only one mosaic in the range?

Because the shower pan is the only surface a large tile genuinely cannot do. A pan slopes toward its drain from every side and needs small pieces on a flexible mesh to follow that shape. Everywhere else in a bathroom the field tile works, so one sheet covers the gap.

What 18x36 is actually for

It has the same one-to-two proportion as the 12x24 sold elsewhere and half again the dimensions, so a floor laid in it has roughly half the joints over the same area.

That is the whole argument. It reads noticeably calmer than a 12x24, and unlike the 24x48 formats elsewhere in the catalog it does not demand a genuinely flat floor or two people to place a single piece. It is the largest format that still behaves like an ordinary tile.

The proportion matters on a wall

An 18x36 is three feet long, which is enough to cross most of a shower wall in a single course.

On a wall a long tile does what it does on a floor and more visibly: fewer vertical joints, a stretched horizontal, and in a narrow enclosure a noticeable widening. The same piece turned vertically is a three foot run up the wall with no interruption at all.

Matte, across the range

Every piece here is matte, with no polished option.

A large format and a gloss pull against each other. The point of a big tile is an uninterrupted plane, and a reflective one fills that plane with the room's light fittings and windows instead. Matte lets the size do what it was chosen for.

Four colors, and a blue among them

Beige leads, then white, with a blue and a black behind them.

A blue at 18x36 is worth noticing, because blue at that size is rare: glass and glazed ceramic make blue small, and only porcelain produces it in a large format. A blue floor or a blue shower wall in three foot pieces is a thing very few ranges offer. Blue porcelain tile covers the color.

Beige leads, which is unusual at this size

Beige is the largest color group here, ahead of white, which is the reverse of most large format ranges.

Big tiles usually run to whites and grays, because a large uninterrupted plane of a warm color is a stronger statement than the same color in small pieces. A beige at 18x36 is a warm floor with very little joint in it, which is a specific and fairly confident thing to choose.

One mosaic for the pan

A single 12x12 mosaic sheet sits alongside the field tile.

It is there for the shower pan, which slopes toward its drain from every side and cannot take a rigid format. One sheet is enough, because the pan is the only surface in a bathroom a large tile genuinely cannot do.

3/8 inch

Every piece is 3/8 of an inch, which is the ordinary thickness for interior floor porcelain and consistent across the range.

On a large format that figure is worth checking against the substrate rather than against the next room. The longer a tile, the flatter the floor underneath has to be, since a long piece bridges a dip where a short one sits over it. Porcelain tile covers the material in full.

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