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BIRD BATH STATUE
The face and shoulders are human. Below that, vines climb, and by the waist you cannot tell body from trunk. At the foot it becomes roots gripping the ground.
This is Daphne, the nymph who turned into a laurel to escape Apollo. The sculpture catches the transformation partway through rather than after it.
So she is not standing on a column. She is the column. The basin sits above her head and the roots are the base. Nothing here lifts off to become an ornament on its own.
A figure needs a background to read against, so a hedge, a wall or dense planting works better than the middle of a lawn where you see the back of it half the time. Twenty two inches puts the basin at a height most species treat as safe. Leave two or three feet of open ground and keep a shrub within a short flight for cover.
| Design | Figure transforming into tree, carrying the basin |
|---|---|
| Material | Concrete |
| Finish | Realistic stone, sealed |
| Height | 22 in. |
| Water depth | 2 in. recommended |
| Assembly | Two piece, no tools required |
| Use | Outdoor year round |
Two pieces, no tools. The basin seats onto the figure.
Give it a background. A hedge, a wall or dense planting behind it keeps the silhouette readable.
Two inches is the number. Birds wade rather than swim, so shallow water is what gets them bathing rather than only drinking.
The drapery folds and root recesses hold shadow, which is what makes the figure read as carved stone. A soft brush every couple of weeks keeps them clear.
Drain the basin before the first hard frost and leave it empty or lifted off. Sealed concrete comes through freeze and thaw well when dry.
This product includes a 3-year warranty against cracking. Coverage, claim requirements and required documents are subject to the warranty policy that applies at the time of purchase. Keep your order confirmation and contact customer support with your order details if service is needed.
Daphne, from Ovid. She asked to be turned into a laurel tree to escape Apollo, and the sculpture catches her partway through the change.
No. The body is the column and the roots are the base. It is a single form rather than a figure standing next to a bowl.
Against a hedge, a wall or dense planting, in a formal bed, or at the end of a path. It wants a background rather than open space on all sides.
Depth and rim decide it. Fill to two inches, keep the approach clear so nothing can get close unseen, and have cover within a short flight.
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