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Asian Statuary Marble Collection

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Frequently Asked Questions

Is Asian Statuary a real Statuario?

It is a real use of the word. Statuario describes a look rather than a place: a white ground with bold, fairly sparse gray veining, originally the stone reserved for sculpture. A quarry anywhere producing that look can use the name, and the qualifier in front of it is the honest part, saying which source the stone came from.

How does it differ from Italian Statuario?

Mainly in how the veins run. The Italian stone tends to wander and branch; this one runs straighter and more parallel, which gives a floor a slight direction that a Carrara or a classic Statuario does not have. It also carries less of the warm gold tone that appears in the Calacatta family.

Honed or polished?

Polished lifts the white ground and sharpens the gray lines, which is the version most people picture. Honed cools the stone by a step and turns the veining into something closer to a drawing than a contrast. On a floor honed is the steadier choice, since a dulled mark has no reflection to interrupt.

Can I get a matching mosaic?

Yes, and it is much of the reason to buy a named stone as a collection. A shower running one marble from the wall down into the pan needs the sheet and the field tile to be the same material rather than two stones sharing a color word, and the difference between those two shows at the curb.

Does it behave differently from an Italian marble?

No. It is a calcite marble, so a household acid dulls the spot it lands on exactly as it would on a Carrara or a Statuario. Where a stone comes from changes its figure and its price; it does not change the mineral or how the surface responds.

What the name is actually claiming

Statuario means statue marble, and it described the stone reserved for sculpture: white enough to read as flesh at a distance, with veining sparse enough not to interrupt a figure.

That is a specification rather than a location. When a quarry elsewhere produces a marble meeting it, calling the result Statuary is accurate. The qualifier in front of the name is doing the honest work: it says which source, and this one says Asia.

How this stone reads

A bright white ground with gray veining that runs straighter and more linearly than the Italian originals, and with less of the warm gold that a Calacatta carries.

The straightness is the tell. An Italian Statuario tends to wander and branch; this one runs in more parallel lines, which gives a floor a slight direction that a Carrara does not have. Neither is better and they do not substitute for one another in a repair.

Honed and polished, both here

Honed leads this small range with a polished group behind it.

On a stone with bold veining and a bright ground, that choice does a lot. Polished lifts the white and sharpens the gray lines; honed cools the whole thing by a step and turns the veining into something closer to drawing than to contrast. White marble tile sets this beside the other white quarries.

Vein direction is a layout decision

A stone whose veins run roughly parallel has something a randomly veined one does not: a direction that can be pointed.

Run along a hall it lengthens the space and the lines lead the eye down it. Run across, it widens a narrow room and stops the eye at the walls. Turned piece to piece at random it reads as a busy floor with no intention in it. On a Carrara that decision barely exists; here it is the main one.

Field tile and mosaic in one collection

Six field tiles and three mosaic sheets make up this range, at 12x12, 18x18, 12x24 and two trimmed sheet dimensions.

Having both from one named stone is the useful part, since a shower that runs the same marble from the wall to the pan needs the sheet and the tile to be the same material rather than the same color word. Two stones sharing a name and coming from different sources will not match at the curb, and that is exactly where the join is visible. Marble mosaics covers the sheets more widely.

The chemistry is the same as any marble

This is a calcite marble, so a household acid dulls the patch it touches, exactly as it does on an Italian one.

Provenance changes the figure and the price and not the mineral. Marble tile carries the full account of what that means in a kitchen or a bathroom.

Where it goes

A bathroom floor and shower, a hall, a fireplace surround and a backsplash where a white marble with strong lines is wanted.

Statuarietto marble is the finer-veined relative and Calacatta Gold the warmer, bolder one.

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