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Porcelain Slabs

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Frequently Asked Questions

Is a porcelain slab the same as a large porcelain tile?

The material is the same and the format is not, which changes what it can do. A slab of this size covers a countertop or a wall in one or two pieces rather than in a grid, so the decision is mostly about how few joints the surface will have.

Does a porcelain slab look like real stone up close?

Close enough that the tell is usually the edge or the repeat rather than the face. The printed surface reproduces pattern and color convincingly, and a broken reflection reads less uniformly than a single even gloss. What it does not reproduce is depth below the surface, which is what a translucent marble has and a printed one cannot.

Can porcelain go outdoors?

The material handles wet and cold well, and this is one of the areas it is regularly specified for. The individual product page is the place to check, since the answer depends on the specific slab rather than on porcelain in general.

Does a porcelain slab suit a curved or shaped countertop?

It is cut with the same kind of equipment as stone, so shaped work is possible, but the material is harder on tooling than most quarried stone and the fabricator's experience with it matters more than it does on marble. Ask specifically whether a workshop has cut this material before, not whether it cuts stone.

Is porcelain a good choice for a wall, not a countertop?

It is one of the strongest cases for it. A wall wants a large surface with as few joints as possible and very little weight, which is exactly what a thin large sheet gives. The considerations that make a countertop decision difficult, edges and cut outs, mostly do not arise on a wall.

Is porcelain heat resistant enough for a kitchen?

It is fired at high temperature, which is where the reputation comes from, and it is one of the reasons it gets specified for countertops. As with any surface, the manufacturer's own guidance is what to follow, not a general claim about the material.

Which finish should I choose for a countertop?

Decide it on the room. A matte surface suits a countertop that gets used, a lappato one suits a surface that is looked at, and the care note about abrasive pads applies to the lappato, not to the matte. On a dark porcelain the difference between the two is larger than on a pale one, which the black slab page goes into.

A fixed porcelain slab size

Almost every porcelain slab in our range comes at 64 by 128 inches. A quarried slab cannot work that way: each piece is measured individually because the block decided how big it could be.

The practical difference is when the decision can be made. A natural slab has to be reserved before a layout can be finalised, because the layout depends on what that particular piece will yield. A porcelain sheet can be designed around from the start, and a second one can be ordered later at the same size. For a large kitchen or a run of wall panels, that removes most of the planning risk.

Porcelain slab thickness

These sheets come in at around half an inch, against 1 1/4 inch for most of the quarried slabs in our range. The material is engineered to work at that thickness, and the weight it saves is what makes a sheet of this size practical to move and to fix to a wall.

It also changes what the edge of a countertop looks like, since the visible thickness has to be built instead of cut from solid material. That is a fabrication question, and your fabricator will show you what the options do to the appearance of the pattern at the corner.

Lappato lucido and other finishes

Most of this range carries a lappato lucido surface, with matte and full polish behind it. Lappato is a partial polish: the surface is worked until parts of it shine and parts stay matte, which gives a broken reflection and not a mirror.

A broken reflection behaves more like a worked stone than a single even gloss does, because a real polished surface is never perfectly uniform either. It is one of the reasons a marble look porcelain reads as convincing, alongside the resolution of the print and the texture pressed into the body.

Names borrowed from marble

The names here are borrowed: Calacatta, Arabescato, Macchia, Marquinia, Nero, Grigio. Each names a marble the pattern is based on, so the name is useful as a description of the look and useless as anything else.

What the name does not carry across is variation. A quarried Calacatta differs from slab to slab because the quarry made it that way; a porcelain Calacatta repeats its pattern on a cycle, and how long that cycle runs varies between manufacturers and ranges. For a single countertop it is invisible. Across a large continuous run the manufacturer is the one who can answer it.

Care and sealing

The care notes on these slabs are unusually short, and they say the same thing throughout: the body is dense enough to resist moisture and staining, and it does not need sealing. There is no periodic treatment in the way there is with a quarried stone.

The one caution that does recur is about abrasive pads on a lappato surface, since a partial polish can be dulled by them. Beyond that, the upkeep question that runs through every quarried stone page on this site simply does not arise with this material.

Porcelain against sintered stone

The two sit next to each other on this site and answer a similar brief in different ways. Both are manufactured, both arrive at fixed sizes, and both skip the sealing question. Where they differ is in the surface range and the look, which the sintered stone page sets out.

The stone slab page sets out how the quarried materials work by comparison, and the marble page covers the stones this range takes its names from.

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